Brackett II

March 15, 2018

 "Hey, would you like me to make you a new hat?"

It was around December, and I apparently felt particularly generous with my knitting time when I spoke those words to S. Looking back, I think it was part the ratty state of the ancient hats he had been wearing all winter, part genuine kindness and a third part a delirious state brought about by an overdose of cheesy holiday commercials and, possibly, exhaustion.

Whatever it was, he took me up on the offer, so I'd better make good on it. I provided him with a selection of hat patterns that I'd be willing to knit for him. I made a pre-selection not because I wanted to control his fashion sense, but since I was the one who'd be knitting it, I wanted something that I'd actually enjoy making. During the process I found out he really isn't into slouchy hats. It came as a surprise as he never showed any signs of distaste towards any of my slouchy headgear. By way of explanation he swears the anti-slouch feelings only regard to his own hats. Enfin, he decided on the Brackett pattern, which again was a surprise to me as I just knitted it myself and hadn't noticed him being particularly interested in it. When he tried mine on -carefully, because my head is a tad bit smaller than his-, I had to admit though, it did suit him.

I showed him a couple of skeins I had and in the end he picked three colours that he liked - a bright yellow, a bright red and a dark green. He liked them equally and told me to pick one. I picked the dark green, solely on the basis that I had the other colours in garment quantities, which I would have to sacrifice for a hat. As he had said that he didn't have a preference between the three, I went with practicality.

I knitted it pretty much the same as my previous Brackett, so if you are interested in the practical details you can read my post about that here. Since I had already knitted it once, and fairly recently at that, this time it was even more of a breeze to knit. I knitted it, gently blocked it, and when it was dry and it was a cold day he just took it off the drying rack and wore it right away. And then... 

...he lost it. On the first day! He tried to reassure me he was pretty sure it was still at his office, but guys, this is the guy who regularly loses and forgets stuff of fluctuating importance: from keys to presents and from pencils to that one time he lost his passport on a plane after we'd been in it for like 30 seconds (It was eventually handed back to us by a befluxed stewardess). He lost the shawl I knitted for him on the flight back on that same trip. I'm just saying, it's not beyond the powers of this guy to loose something fast.

Luckily the stars were on our side this time and at least for now the hat will not join the impressive list of things he lost, or as he calls it, things whose "exact location is unsure". We took the hat for pictures a bit ago when we went for a walk, on a perfect, albeit freezing, winter day. We were in a cold spell of weather again, with temperatures below 0. It was such a glorious day and everything looked so beautiful outside.

I coaxed S. into having his picture taken for my blog because we'd be out anyway and he'd be wearing the hat, I only had to bring my camera. He said he was channelling me for modelling inspiration, which I think is a profoundly bad idea in any situation, but see if you can spot my aesthetics in these pictures. I think he enjoyed it, and more importantly, I think he quite likes the hat. He's not been going out without it -and luckily, he's since always come back with it still with him.

Finished Sewing Projects

Jane T-shirt

February 05, 2018

Part of the reason to have this blog is to have log of everything I make. Yet, I almost didn't blog about this latest project.

Not that I consider the project a failure, quite the opposite. However, the project is a simple T-shirt, and I wasn't sure that was 'exciting' or 'inspirational' enough to warrant the attention of a blogpost. Plus, to be honest: these pictures were taken inside, and I'm not the biggest fan of indoor project photographs (although I'm even less of a fan of taking pictures outside in winter in just a T-shirt). Nevertheless, if this really is an online logbook of my makes, this project should be in here. It's a basic garment, that I made in early autumn, but one that will -hopefully- get a lot of wear over the coming summer. Moreover, I don't only want to dazzle with the fancy stuff; the dreaded 'instagram effect'. And hey, who knows, maybe my project notes can help someone out there, so let's give it a go.

Why yes, I do have cats, why do you ask?

I'd been on the lookout for a T-shirt pattern for a while, mostly to wear with pinafore and dungaree style garments. But a T-shirt is a T-shirt so I'll end up wearing them with separates and under knitwear too. Over the years I've realised I'm quite particular when it comes to T-shirts: I don't like fitted T-shirts and I prefer round necklines. In the end I had my choice pinned down to two options: Seamwork's Jane T-shirt and Fancy tiger crafts' Wanderlust Tee. They both are beautiful patterns that I can see myself wearing regularly. I can't even remember what make me decide to go for the one or either, it might have been a coin toss to be honest. In the end it was Seamwork's pattern that the choice landed on.

Seamwork, which started as a Colette side project, is by now a well established name in the indie sewing world in its own right. They especially shine in the type of basic/everyday wear. The Jane T-shirt is more or less the epitome of that aesthetic. This design is mostly a classic t-shirt design with a loose fit at the bust and waist, but semi-fitted at the hips. I went with my bust measurements to pick my size. I fell in the middle to higher half of my size range, and am quite happy with the fit. The bust and hip measurements are the most important fit points on this type of garment anyway. I am quite pleased with the how it turned out straight from the pattern. It has as much positive ease as I envisioned. I noticed when looking through projects of others that some people commented that the loose fit is a bit too loose and even plainly too big. I don't have enough experience with Seamwork patterns to know whether this is a general thing with them, and as I didn't have any fit problems with this pattern, I am not too invested in it to find out quite yet. I'm am planning to use more Seamwork patterns in the future though, so I guess I'll find out at some point.

For the fabric I used a good quality cotton jersey. As a result, the shirt has bit more body to it than viscose jerseys. In terms of material quality, this is probably the best jersey fabric I've ever worked with. There is possibly a lesson in here about good quality material, and in general I do try to heed that, especially with regards to fibre content. On the other hand, I don't really consider myself to be proficient enough yet to really splash out in the fabric department, so the high grade fabrics will have to wait for some time.

I tried to match up the stripes as best as I could, and am quite happy with how that went. I'm not too strict about matching patterns up anyway, but with stripes I do try to make an effort. The sewing itself went quick and without a problem. Maybe if I were to do it again, I'd redo the neckline a smidge tighter, or do it with ribbing instead of the self fabric to give it more of a retail look. I'm not too bothered by how it's now though, and certainly not enough to go back and redo it.

Well, that's it for now, I hoped you enjoyed reading about this project! Speak soon!


Kokkeluri mittens

January 26, 2018

In the month that Kate Davies' new yarn and pattern club has started, I thought it might be a good idea to show you a finished project of her previous yarn club that ran a couple of years back. The Kokkeluri mittens were part of the Buachaille: At Home in the Highlands pattern collection that came out with the release of Kate's first very own yarn, Buchaille. The club ran in 2015, and was the first yarn/pattern club of this kind that I participated in. Long-time followers might remember I actually started this pattern in or around the same time of the club. I finished the first mitten in what I can remember was a rough week at uni. Possibly there were exams involved. Anyway, I finished the first mitten, was quite chuffed with the result, and subsequently never cast on for the second mitten.

Wait, hold on...what? Yep, second sock syndrome with mittens is a thing. A weird, mysterious and terrifying thing. Over the years occasionally my mind would return to the mitten, I even mentioned it here on the blog a couple of times, sometimes even in the form of a goal of some sorts to guilt trip  myself into finishing the mittens. However, one day at the end or beginning of December I found myself in-between projects. I just finished a big project, and had decided on and ordered yarn for a new project, but it hadn't arrived yet. So I went upstairs to my hibernating-projects box, located the project, located the yarn, started working on it like the adult I really am, and three days later I had a finished set. Just like that. The moment felt equally monumental, fantastical and silly.

I made this in the exact same yarn and colourway as the pattern suggests. I've always loved greens in combination with naturals. Islay was my favourite the colour of set right away, for no other reason than that my childhood toy rabbit, which I've owned since I was a baby, is the same exact colour.

Similarly, the Kokkeluri mittens were my favourite pattern from the collection, they still are in fact. I like mittens, and I wear them a lot. Curiously though, I haven't knitted a lot of them. I like mittens because they carry a rich knitting tradition, which I love reading about, and they are a great canvas to play with colourwork motifs. They remind me of all the good bits of childhood winters and nostalgic winter scenes as painted by Rien Poortvliet.

I knitted the mittens as per pattern, save for switching the cuff colours to the opposite colour. When I cast on the second mitten I noticed I had done this with the first mitten, and I honestly can't remember whether this was a deliberate or accidental 'design choice'. I had enough left of both colours to go either way, but since I liked it this way equally, I decided to just leave it.

Counting the time between the making of both mittens this is probably the longest I've "worked" on a project. I am a fairly monogamous knitter, working from project to project as I finish them, so I don't have a lot of hibernating projects or works in progress. I do have some, but I try to either come back to them fairly fast after abandoning them, usually when I've finished the project that distracted me from it in the first place, or -if I've fallen out of love with the project- I frog it. The mitten never made the frog list, but until recently it also never made the finishing list. I'm glad I got it together at last, and the project is now well and truly finished.

I took these pictures at the same time when I also took the project photos for the Brackett hat. So these pictures have the same winter wonderland vibes as in the previous post. In addition to the bracket hat I'm wearing it with my Afmaeli Lopapeysa. The snow is long gone these days, but one can still hope for some more cold days.

I mentioned in the introduction that this month Kate started her second yarn and pattern club. When I first heard about it I wasn't sure whether I'd sign up for this one. As more and more information came out, I got more and more enthusiastic. You can see were this is going, can't you? The new yarn turned out to be a tweed, spun in Donegal, and the words "ideal", "for" and "colourwork" were used in its description. Kate announced the club wasn't going to be just accessories, there would be an equal amount of garments. Garments! Also there where hints, dear reader! Hints of colourwork yokes. So really, in the end dear reader, how could I resist? By now, three of the patterns have been released, and all of them are colourwork designs so I'm definitely not disappointed! Yesterday Còinneach, the yoke jumper that was hinted at was released and I'm already thinking about different colour combinations. I'm looking forward to see the rest of the collection!

As a final aside before I truly bugger off, you might have noticed I redecorated the blog a bit. I gave the layout a bit of an overhaul. I wanted to smooth out some kinks that had been bothering me for a while, but one thing turned into a whole list of things I wanted to redo and in the end it turned out that it was easier to just redo the whole lot. You can imagine how much fun I am when you're clearing out the attic with me, we start with the attic and end up I retiling the bathroom! Anyway, the idea was to have a cleaner and more practical blog. I hope you like it!



Brackett Hat

January 11, 2018

I thought I'd show you one of the small projects I completed at the tail end of 2017. This one is the Brackett hat, published in Laine Issue 3. Laine is still a relatively new knitting issue, but has quickly made a huge name for itself as a Nordic high quality knit magazine. So far I've loved each of the 3 issues published, and projects from each of the magazines have made it into my knitting queue. Issue 3 might be my favourite of the bunch though, I love multiple of the designs and the gorgeous North Uist setting. The issue got caught up in a bit of a social media scruffle when online commenters got agitated about the magazine's model, and the candid photography showing her as an actual human being instead of a mannequin with a glued on smile. I think the (internalized) misogyny exhibited by many of these commenters was telling: when it comes to patriarchal norms about women's behaviour -including appropriate facial expressions-, these norms are unfortunately often policed by other women. I was glad to see so many in the knitting community who stood up for Johanna, the model, and used the occasion to hopefully bring about some awareness for the better.

Brackett caught my eye because of the cabled pattern and the folded brim, which are both features I've come to really like in hats. I made a couple hats from Brooklyn Tweed that have these features. There are some differences with hats I've made before however, most prominently the lack of slouch on the Brackett. This reminds me a lot of knitted fishermen-style hats. It instantly became one of my favourite pattern releases of the autumn-winter season and, being such a small project anyway, I swiftly cast on for one.

The actual cast on moment was quite a spur of the moment decision, when I found myself without a project one evening and I raided my stash for a suitable yarn. I found that I had some blue Malarigo Rios, hanging around in a large enough quantity. Since Rios is one of my favourite yarns to use for cabled hats, the decision was easy and I was swiftly on my way with the cast on. I did the cast on as written, the elastic tubular cast on, which is a bit more work, which if I were in a rush, or was at the movies or something like that, probably wouldn't bother with, but I happened to have the time for some extra effort so just stuck with it.

I loved knitting it. The cables look impressive but the pattern is easy and I got it memorized super fast. It helped that I was feeling like doing some cables again, after doing loads of colourwork projects. This was a nice in-between project to diversify my knitting. I think knitting it in a blue colour enhances the fishermen-like qualities of the hat.

 I had a considerable amount of yarn left over. The pattern states a yarn amount of 366 m., which meant two skeins of Rios. I had read on the project page though that most people stated they used less yarn. I was not prepared how much less though! I used less than one skein of yarn! I guess it helped that I used needle 4.5 throughout, instead of 5 (by accident, I had forgotten to switch over after the ribbing and only found out when I had cast off). I think that even with the larger needle seize you could squeeze it out of one skein of yarn. Which is actually great, because it means I have another project to use up some of those one of skeins of worsted weight I have hanging around.

These pictures were shot last month in December, when we went through a 2 week period of -for these parts- intense snow. We even had a snow warning, and my partner had to work from home for at least a day because going out, other than on foot, was ill advised. Oddly, my parents, living roughly 60 miles to the south, hardly had any snow. Anyway other than some travel inconveniences I thought it was glorious! I love winter and I love snow, and we were outside, going for walks everyday while we had it. I'd hoped this scold spell meant we were in for more snow this winter, but then we had the warmest new year's eve on record.... I don't know what the rest of winter will give us. I'm wearing it with my Afmaeli sweater.

I actually liked this hat so much that I already made another one, this time as a gift for someone else. (No, not the baby nephew this time!) I will try to post some pictures of that hat as well, but I first have to coax the new owner in taking some project pictures!

You'll see it when I've got them!


2017 in Makes

January 01, 2018

Happy New Year! Welcome to my first post of 2018, which just so happens to be a look back at 2017. Feels a bit odd to come here and do a year review post, since I've posted so little over the past year. On the other hand I always enjoy doing these posts, and perhaps it will help kick-start the blogging habit again in the new year. Here it goes!

 2017 has been an odd year for me. It's been one thing, while simultaneously also being the complete opposite. I know this doesn't make sense, and maybe that would be my key phrase to describe the year as a whole. There have been many big changes for me this year, but at the same time I've felt like I've been mostly standing still. I've been incredibly busy, but at the same time it's all been such a blur that I now struggle to see all the separate parts that made up this year. It felt like both the longest and the fasted year ever. It's been a difficult year. Politically, it's been a dreadful year and it felt like steam roller crushed the whole world. I've never felt so alone, but at the same time never felt so connected and so much solidarity as when reading about politics on social media this year. It was a year of opposites and maybe because of that it hasn't felt like the year of anything really.

My year in making has a similar tone. Initially I was inclined to label this year as a disappointment, make-wise. Granted, due to the nature of my character I always lean a bit to the self-critical side. But after giving it some reflection, 2017 in makes hasn't been that bad, in some ways it has even been pretty good. Let's hop to it....

2017 has seen my crafting time being very limited, especially during the first half of the year. It's been hard. Hard to find time and in turn also hard on me. It's shows in the amount of makes that I've finished this year and it also shows in my diversity in making. Knitting is my main gig, but I enjoy and do a lot more, usually. Because time and energy levels were limited I noticed I mostly fell back to what I know best -knitting- and ignored the rest for a while.
Nevertheless, I'm actually super happy with almost all the things I did make this year. I've crossed some big things of my to-do list, did some new things and most importantly made some of my favourite makes to date. As a side note, I have some makes that I haven't blogged about yet, and while they do cheer me up, I won't include them here, mainly because I think that makes for slightly chaotic and confusing reading. Maybe it should be a New Years Resolution to blog and instagram about them soon?

𝄢 Sewing

My favourite two sewing makes this year did make the blog. First up is the Driftless cardigan from Grainline studio that I made in the beginning of the year. This turned out to be hands down my most worn sewing make ever, and inspired me to sew some more "basics" like t-shirts etc (which haven't made it to the blog yet). It's the perfect kind of boxy and cosy and it has giant POCKETS! It's the kind of thing I can throw on over dresses or shirts when it's too warm for most of my knits and too cold outside to go with bare arms. I can definitely see myself make a bunch of these in different colours. Biggest hurdle might be finding nice, good quality knitted fabric, but I'm still trying to find my way in the world of fabric so that could be at play. 

My other favourite sewing make for this year was the Cleo Dungarees by Tilly and the Buttons.
This make came out almost exactly like envisioned and I'm super pleased with the end result.  This was a style experiment to see whether dungarees and this silhouette suits me and I'm please to say that the experiment was a success. The project has convinced me I need more dungaree-like things, more corduroy, and more burgundy in my life (thought tbh, I always need more dark red in my life).  

𝄢 Test knitting for the first time

I did my first two test knits this year, both for Jennifer Steingass of Knit.Love.Wool. I never test knitted before, and loved being asked. It was great fun to see what all the other test knitters made of the pattern on the day of release. The first one I did at the start of the year in January. Telja is a modern take on the classic Icelandic yoke jumper, which is of course one of my favourite things to make and wear so it's no surprise that I like this jumper so much. I put quite a bit of thought in planning this sweater, colouring the chart in different colour combinations before settling on this palette. It is quite satisfying to see this project through from direct inspiration to the finished thing. -- also, it was a lot of fun taking pictures of it in the snowy landscape!

Fern and Feather was the other test knit I did for Jenn, this time in Autumn. This is again a colourwork yoke sweater, but the feel is quite a bit different with a more minimalistic yoke design and maybe less overtly Icelandic, though predictably I did opt to make mine in Lett Lopi. I did make the yoke two-coloured to make it more like phoenix feathers (my inspiration) and also to make it slightly less minimalistic as I'm not sure if true minimalism is my forte in terms of colourwork. I made it in one of Istex' new colours, galaxy, which has definitely found it's way into my top favourite colourways.

𝄢 Showstopper

Windermere is my showstopper of this year. Ticking this big long-term making goal of mine made me feel a lot more confident in my knitting.  This project was a long time in the making, I adjusted the project to meet my needs and even though the project was put on hold often I eventually pulled through and finished it. I feel more motivated and confident to tackle more challenging and/or time consuming project. I'm very happy and proud this jumper and I love wearing it, and that's really all there is to say!

𝄢 Knitting for a baby

2017 was the year my brother and my sister-in-law had a baby, and I became an aunt. Apart from that being a huge personal change, it shows in my making as well. I made couple of things for Luca in the past year: I made a rainbow sweater and an Elijah toy when he was born in May, and a little Christmas jumper earlier this month.

Seeing him wear the stuff I made, and play with the little elephant I knitted for him has given me more joy and pride than I (as a mainly selfish knitter) expected or could have predicted about myself.  

𝄢 A year in colourwork

A post shared by Nelson (@treehouse_nisse) on

This is my 'Best Nine' collage on instagram, meaning; my most liked instagram posts in 2017. I thought I'd post them here as well because I feel at this moment they reflect me as a knitter very well. One of the things I like about knitting and making is that I feel like I'm still growing, learning and developing myself as a maker. I feel that this year, maybe more than ever, I know what I like to make and wear. I'm better able to distinguish what I like in general, and what I like for myself. I can enjoy well crafted minimalist designs, for example, but at the same time I'm completely certain they're not what I like to make or wear. I knit mostly colourwork, because that's what I like doing and wearing best. I find that I like knits that have a lot 'going on'. The only knits that I made for myself this year that didn't have colourwork were cabled. I'm excited to see how I will change and grow in my making next year and what my 'best nine' will say about me then.

While I did make a lot less then I'm used to, the makes that I did finish were all winners, even the ones that haven't made it to the blog yet. I hope, when I commit those ones to the blog, you'll like them too.

I wish you all all the best in 2018,


Luca's Christmas Sweater

December 29, 2017

Well hello there! I thought to try to squeeze one more FO-post out of the last week of 2017. I can't tell you how weird it feels to already be looking back at 2017, but since I might actually write a 2017 review post, I'm going to leave most of the looking back for that post. For now, it suffices to say that although I haven't blogged as much as I'd like, I have been crafting, and among my makes is a surprisingly high number of gifts.

I'm not a big gift knitter. I know I'm not, and that's fine. I don't feel guilty about not making more stuff for others: I love to knit and I love to wear my own knits. This year though I've knitted significantly more gifts than other years. Of the gifts I knitted 75%, was for my nephew who was born earlier this year, which makes me think he's got something to do with it. I guess having a tiny size is a big part of his gift knitting appeal, but being able to melt hearts with toothless smiles doesn't hurt either.

So a couple of days before Christmas Eve I decided that I wanted to knit him a little something. Now I realise that as he gets older and the urge strikes again to knit him something, I have to adjust the time management on this, but since for now he still is a tiny thing, spontaneous knitting days before a deadline are still achievable.
The pattern is Anders, by Sorren Kerr. It's a pattern that has been on my radar for a long time. I think it's stunning, and I loved it before there was a little one close enough for me to knit for. I mean, to be honest it is basically a pattern I could have knit for myself if the size was there.

I used drops cotton merino for the jumper. I haven't often knitted with this yarn. To be more precise, I think the first time I've used this yarn was for something else that I knitted for Luca. I found it difficult to decide on a yarn for baby knits. I wanted to use natural materials, but as I've noticed the past few months, being machine washable is not unwelcome when knitting for kids. Drops cotton merino comes in a range of fun colours and as far as I can tell it doesn't wear too bad, but I'm probably going to have to branch out at some point. Yarn suggestions are always welcome!

This project was also my first time doing a vikkel braid, though I have used variations like the Latvian braid before. I think it's a beautiful detail. I did leave it off at the cuffs and bottom ribbing, but this was because of time management, so if I had more time I probably would include it. One thing I like about the pattern is how it's designed to be reversible; it can be worn with the buttons to the back or to the front: the advantage being keeping the buttons safe from baby hands and baby jaws in case the wearer is too inquisitive.

I took two days of frantic knitting, but I'm pleased to say that I actually got it finished on time. I blocked it overnight and might have made use of a blow-dryer in the morning to get it somewhat dry- but dammit I had a train to catch. It was actually still a bit damp in places when the parents unwrapped it later that night, but the blocking succeeded. Turns out, it was dry the next morning, and if the snapshots I've been sent are any indication, he's been wearing it non-stop ever since.



November 05, 2017

Thought I'd finally come around and blog about that sweater that I've been talking about for months now. What an epic project Windermere turned out to be! It took a long time to knit, mostly because I knitted it during one of the most intense years of my life, made mods, and took pauses to work on other things in-between, but still it was one humdinger of a project! It being an all-over fair isle design, with a boxy oversized shape and needle size 3, meant a lot of meters to knit. I finished her in August, but it was way to warm to warm to go outside and take pictures of a woollen sweater (oh knitter woes!) and after that, test knitting feather and fern and with all the craziness that is the rest of my life, I actually kind of forgot that I still needed to blog her (for shame!). Anyway I got my act together and here she finally is in all her glorious woollyness!

I know that I have been working on this project for a while, so I may be repeating some things here, but I thought it would be best to make this post as complete as possible. So Windermere is from Marie Wallin's collection Lakeland, the second collection she published after going independent from Rowan. Windermere immediately caught my eye, and I knew I wanted to knit it right away, but you know how it goes with life, and a sizeable queue of other must make knits.

The yarn is Jamiesons of Shetland's Spindrift. It's a fingering wool. The main colour is Pine Forest, while the white contrast is Eesit. The pattern calls for Rowan Fine Tweed, which is now discontinued.  I think they discontinued it just around the time I decided to make this pattern. While I liked Fine Tweed, the colour range was very small (especially compared to a brand like Jamiesons) and I already had a colour vision, so I was off to look for an alternative. Because I used a different yarn my gauge was a bit smaller than the pattern calls for. Given the massive amount of ease in the pattern, and the boxy shape, that didn't bother me too much. In fact I had been thinking of going down a size anyway. So all in all, while my version is still oversized and boxy, it is less so than in the original.

I really enjoyed working with Jamiesons Spindrift. While it was my first time working with Spindrift I have used their compatriots Jamieson and Smith loads of times and their jumperweight is comparable. A lot of people used them interchangeably in the same project. The colour range is, like with J&S, enormous and should make any knitter's, but especially a colourwork knitter's heart skip a beat. Unlike J&S, Spindrift comes with a host of dainty names, including the Eesit and Pine Forest that I use.

I started this sweater in the beginning of 2016 as written per pattern with a flat sweater construction. I didn't think I would mind so much stranded purling, but I soon found out that I absolutely did mind, especially if there is a much easier way: knitting in the round with steeks. While I have quite some experience with steeking, it's a very particular kind of experience; cardigan steeks i.e. cutting into a sweater to turn it into a cardigan. I never steeked armholes or necklines. I was throwing myself in deep on the first try, and to be honest I fudged quite a bit on the spot, so you might come up with better solutions if you plan ahead a bit more, but this is what worked for me.

Of course, there are lots of sweaters in the round without steeks but they have a different shape than this one, so without mucking about the shape, steeks are required to turn this into a knitted-in-the-round sweater. You find these type of steeks in nordic ski sweaters for example. I've come across them less often on Ravelry. I think big design houses and yarn brands like Rowan and Garnstudio omit the steeking and just write patterns for these type of design with a flat construction, presumably because their audience is more familiar with such a construction. On Ravelry one of the first designs I've come across that uses this construction with steeks for armholes and neck is Tortoise and Hare by Kate Davies. More recent designs that use this construction are Brooklyn Tweed's Ashland and Dianna Walla's Ebba design. If you never worked a design with this construction before you might find it helpful to read through a pattern of a design that uses it so you know what to expect when converting a flat design to knitting in the round with steeks. Dianna Walla also has a helpful tutorial on "how to reinforce & cut armhole steeks" which I studied methodically before actually cutting in my sweater.

Now onto what I actually did steeks-wise for this sweater: First I omitted the seam line stitches, when casting on, because you are knitting it in the round and therefore don't need the extra stitches for seaming. I think I omitted 2 seam stitches per side seam. For the steeks I added 5 stitches per steek, so arms and neckline. As with my previous steeks, I used a sewing machine for reinforcement. I had to re-sew one of the the steeks when I discovered I'd missed one or two ends of yarn, but after that it worked like a charm. Once you pick up the stitches for the armholes it's pretty smooth sailing. Don't forget to knit the chart back to front though, as the original is knitted from the cuff upwards, whereas you'll be knitting from the top down. I just knitted the short rows back and forth. It's a really short bit and I was too focussed on getting to the finish line to figure out a different way. I had to get used to the short row instructions as they were written in a way that I'm not familiar with, but they worked out just fine. After I finished the shoulder shaping, and cast off the body, I cut open the neck steek and then picked up stitches for the neckband.

To summarize my experience of knitting: even though I feel like this one took me ages to knit up, I really enjoyed knitting on this project from start to finish. I expected to get tired of it towards the end, but that didn't happen. Instead of shying away from intense fair isle designs it actually made me hungry for more, though in hindsight, does that really surprise me? In fact I've already planned out my next big stranded colourwork project! (After I finish up a few smaller projects...)

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